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David Bromberg Quintet

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David Bromberg Quintet
w/ Brian Mackey
Sunday, September 24, 2017 8:00 PM
The Westcott Theater, Syracuse, NY
  • All Ages
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Show Details
  • Ticket Price: $25.00 - $40.00
  • Door Time: 7:00 PM
All ages admitted
David Bromberg Quintet: For Americana godfather David Bromberg, it all began with the blues. 

His incredible journey spans five-and-a-half decades, and includes – but is not limited to – adventures with Bob Dylan, George Harrison, Jerry Garcia, and music and life lessons from seminal blues guitarist Reverend Gary Davis, who claimed the young Bromberg as a son. A musician’s musician, Bromberg’s mastery of several stringed instruments (guitar, fiddle, Dobro, mandolin), and multiple styles is legendary, leading Dr. John to declare him an American icon. In producing John Hartford’s hugely influential Aereo-Plain LP, Bromberg even co-invented a genre: Newgrass.  

Add in a period of self-imposed exile from his passion (1980-2002), during which he became a renowned violin expert, and Wilmington, Delaware’s cultural ambassador; top that off with a triumphant return to music-making, and you have an amazing tale leading back to one place: the blues. 

Now, with The Blues, the Whole Blues, and Nothing But the Blues, his first release for Red House Records, Bromberg and multi-Grammy-winning producer/accompanist Larry Campbell (Dylan, Levon Helm, Paul Simon) focus on the music David discovered in high school, when, circa late 50s, he was introduced to a friend’s dad’s collection of blues 78s. He’d only just taken up guitar as a means to pass the time while in bed with the measles.

“I loved those 78s so much,” says David, “I taped them on a portable reel-to-reel, so I could listen at home and learn.” 

That love is evident in The Blues, the Whole Blues and Nothing But the Blues. The album is both blues primer and an opportunity to witness a master embracing this distinctly American music with passion and grace.  

“There’s a lot of different types of blues on there,” Bromberg notes. “We decided to start it off with a dyed-in-the-wool blues [Robert Johnson’s “Walkin’ Blues”], but there’s also country blues [“Kentucky Blues”], and gospel-influenced blues [“Yield Not”].” 

Bromberg, a onetime sideman himself, is quick to give props to his long-running road-and-studio cohorts: Butch Amiot (bass), Josh Kanusky (drums), Mark Cosgrove (guitar), Nate Grower (fiddle), and Peter Ecklund (cornet). Of producer, arranger, multi-instrumentalist, fellow Reverend Gary Davis acolyte, and old friend Larry Campbell, he says, “To use a baseball analogy, Larry is like a star at any position in the infield, because he can play them all.”

Since meeting in the early 80’s, Campbell and Bromberg had crossed paths many times. They finally worked together in Levon Helm’s studio for David’s 2013 return-to-form Only Slightly Mad. “He wanted to do a Chicago blues album then,” Larry says. “But we decided to remind folks of what he does better than anyone: the whole gamut of Americana, the full Brombergian. And we got some new fans. For this one, we went back to the blues, and made use of David’s great vocabulary in all veins of the genre.”

Bromberg’s guitar work remains a marvel; amped electric lead – both slide and fretted – and delicately powerful acoustic fingerpicking propel these songs with the same force that made him the go-to guy for acts ranging from the Eagles to Link Wray to Phoebe Snow. This is a man who can go full-on Chicago gutbucket with “You Don’t Have to Go” (a Bromberg original), then slay with the jazz inflections of Ray Charles’ “A Fool for You,” rendered here intimately solo. Although Brombergpoints out he’s not the same guitarist he was before his two decades away from performing and recording. “I play differently,” he says. “I can’t play as fast, but playing slower gives me more time to think about what I’m doing.” 

“He’s always able to plug into the emotion of a song,” Campbell says. “He’s incredibly inventive as a player. Sometimes restrictions can be good.” 

Listeners can actually hear what the years have given Bromberg in the spartan, acoustic “Delia.” Bromberg originally covered this traditional nugget on his 1972 self-titled debut – a live, solo rendition with a spoken-word break. The new version features Campbell and Bromberg in the studio, revisiting Bromberg’s live arrangement from their occasional duo tours. It is mesmerizing, with gravitas only experience can bring. “Larry and I have played ‘Delia’ a lot,” Bromberg says. “I love what he does on it.”

Longtime fans will notice another difference: Bromberg’s voice; he’s really singing. The vocals cover a broad range: impassioned, vibrato-laden testifying; pew-jumping soul shouts; soft, confident, crooning; and, of course, his peerless raconteur chops (particularly in “You Been A Good Old Wagon”). 

“When I first started,” Bromberg says, “singing was something I did between guitar solos. But during the period I did so little performing, I took some voice lessons, and now, I know more what I’m doing. I love singing now. Love it.”

Larry Campbell was impressed at the newfound vocal chops, too. “He is a better vocalist than ever,” he says. “He’s strong, and present. None of the songs took more than three takes. And he was able to take the old folk song ‘900 Miles’ [a “railroad song” made famous by Odetta and Woody Guthrie], and turn it into an electric blues that’s a real high point of the album for me.”

Although he remains the proprietor of the beloved David Bromberg Fine Violins in Wilmington, Delaware – “I love my shop,” he says – Bromberg makes time to tour with his quintet, and he’s already included every song in his live repertoire (save “Yield Not,” which requires a choir), from The Blues, the Whole Blues and Nothing But the Blues. As ever, he brings his characteristic devotional intensity to the music, invigorating his surprise third act with the same passion he felt as a teen, spinning those blues 78s, just before the road called. 


Brian Mackey: NYC/NJ based singer/songwriter Brian Mackey, has a sound that combines a healthy balance of Pop, Folk, Rock and Americana with a voice that is reminiscent of the late Jim Croce. He grew up in the northern Florida panhandle and was raised on a diet of 90's alt rock and 70's folk music.
 
Brian would strike you as a relaxed guy. As he humbly relates his numerous accomplishments without any hint of bravado, including the recent success of his track “Are You Listening” in Europe, he’s more resolute than ever to make sure as many people as possible hear his music. Picking up the vibes from positively hopeless cases from the darkest places, he creates a sound uniquely his own - pop-infused rock mixed with a voice that is reminiscent of the late Jim Croce.
 
After his previous hit, "Are You Listening",  Brian's new singles, "Underwater" and "Learn to Be" both just released - two tracks off of his upcoming 2018 EP.  "Learn to Be" has already charted #1 most added for 3 weeks in a row tied with John Mayer on the US FMQB A/C Charts. This new single, poppy and bold, reflects on the life lessons of learning to live without a crutch, and the liberation of breaking free. The music video for "Underwater" premiered on the Huffington Post, boasting the headline "Sublimely Gorgeous Music From Brian Mackey"
 
Last year, Brian toured with David Bromberg for a series of dates throughout the northeastern US, and hit the road with Ron Pope in Fall in Europe. He's supporting Howie Day this spring in Denver, Coloradio and is currently finishing up his next EP in Los Angeles with producer Jon Levine (Rachel Platten, Andy Grammer), due to release later this year.

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