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After Dark Presents: Reel Big Fish - Life Sucks...Let's Dance Tour

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After Dark Presents: Reel Big Fish - Life Sucks...Let's Dance Tour
with Big D & The Kids Table, Keep Flying
Wednesday, March 4, 2020 7:00 PM
The Westcott Theater, Syracuse, NY
  • All Ages
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General Admission

$22.50
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Show Details
  • When: Wednesday, Mar 4, 2020 7:00 PM (Doors open at 6:00 PM)
  • Ticket Price: $22.50 - $25.00
  • Door Time: 6:00 PM
Reel Big Fish:
Reel Big Fish was one of the legions of Southern California ska-punk bands to edge into the mainstream following the mid-’90s success of No Doubt and Sublime. Like most of their peers, the band was distinguished by their hyperkinetic stage shows, juvenile humor, ironic covers of new wave pop songs, and metallic shards of ska. The group cultivated an underground following that broke into the mainstream in summer 1997, when their single “Sell Out” became a modern rock radio and MTV favorite. Their appearance in the movie “Baseketball” as the halftime band also gained them more fans and helped the bands popularity to grow. Still fronted by original lead singer and song writer Aaron Barrett, they continue releasing albums and touring relentlessly, playing more and more countries and bigger venues all over the world.

Reel Big Fish recorded its self-released debut album, “Everything Sucks”, in 1995. “Everything Sucks” became a word-of-mouth underground hit in ska-punk and college circles, which gave the band enough leverage to sign with the indie label Mojo Records. The label’s president, Jay Rifkin, and former Oingo Boingo bassist John Avila co-produced “Turn the Radio Off”, which marked Reel Big Fish’s first album for Mojo. “Turn the Radio Off” was unleashed in August 1996, and over the next year, the group continually toured in support of the album’s release, expanding their fan base all the while. In spring 1997, the single “Sell Out” began receiving heavy airplay from several influential modern rock stations in the U.S., which soon translated into MTV support for the song’s quirky video. By summer, the song had become a moderate modern rock hit, and the album had charted in the Top 100.

 

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