For as long as he can remember, Ryan Montbleau’s been a seeker. From the jungles of Peru to the volcanoes of Hawaii, from the beaches of Costa Rica to the streets of Brooklyn, from the backseat of a 16-passenger van to backstage at Carnegie Hall, the acclaimed singer/songwriter has spent much of his life crisscrossing the globe on a perpetual search for meaning, purpose, and understanding. It’s a quest that’s guided him both personally and professionally over the years, one that’s come to define not only his music, but his very sense of self. And yet, listening to Montbleau’s ambitious new multi-part album, Wood, Fire, Water, and Air, there is a profound sense of satisfaction in sitting still, a recognition that perhaps all those spiritual treasures he’s been chasing for so long were closer than he thought.
“My whole adult life has been this journey of trying to figure out where home is,” Montbleau reflects. “I think I’ve finally found it.”
Set to roll out across four distinct EPs, Wood, Fire, Water, and Air marks Montbleau’s first studio release since putting down permanent roots in Burlington, Vermont, where he recently purchased a house after more than two decades of living on the road. While much of the material here was written in fits and starts over the past several years, it’s clear that the desire for stability was very much on Montbleau’s mind even before he settled on the banks of Lake Champlain, and the songs reflect a maturity and self-awareness that can only come from the difficult work of rigorous self-examination. Montbleau is quick to credit therapy for his growth of late, but he sings about more than just himself here, mixing sly humor and deep revelations as he meditates on the ties that bind all of us perfectly imperfect humans together. Taken as a whole, it’s a broad, insightful collection balancing boisterous rock and roll energy with intimate folk introspection, a sprawling, magnetic record all about listening, letting go, and living life.
“I’ve been through a lot over these past few years,” says Montbleau, “and I’ve experienced some monumental shifts in my perspective. The only way for me to write about it was to just get as honest and vulnerable as I could.”
Honesty and vulnerability have been hallmarks of Montbleau’s career since the early 2000’s, when he first began performing around his native Massachusetts. In the years to come, he’d go on to collaborate with artists as diverse as Martin Sexton, Trombone Shorty, Tall Heights, and Galactic, and rack up more than 100 million streams on Spotify alone. Along the way, Montbleau would share bills with stars like Tedeschi Trucks Band, Ani DiFranco, The Wood Brothers, Rodrigo y Gabriela, and Mavis Staples, but it was his ecstatic headline shows—often more than 200 of them a year—that solidified his reputation as a roots rock powerhouse and an inexorable road warrior. NPR’s Mountain Stage compared his “eloquent, soulful songwriting” to Bill Withers and James Taylor, while Relix celebrated his “poetic Americana,” and The Boston Herald raved that “he’s made a career of confident, danceable positivity.”
That positivity would serve Montbleau well on the long and winding road to Wood, Fire, Water, and Air. Work on the record first began in the summer of 2019 at the gorgeous Guilford Sound studio in southern Vermont, where Montbleau and producer Adam Landry (Deer Tick, Rayland Baxter) laid down basic tracks with a rotating cast of players. At the time, Montbleau had little idea what he was getting himself into.
“I honestly didn’t know what this project was going to be for a very long time,” he explains. “All I knew was that I had a bunch of songs I was really excited about, and that I wanted to take a new approach to recording them.”
For much of his career, Montbleau had worked fast and loose in the studio, capturing music as raw and organically as possible. This time around, though, he found himself craving a bolder, more fully realized sound, and by the time he finished basic tracking in Guilford, it was clear that his work had only just begun. What followed was a yearlong odyssey of adding, subtracting, revising, and reimagining, as Montbleau and mixer/engineer James Bridges fleshed out the sessions with a broad array of instruments, textures, and colors.
“It took a long time for me to get to a place where I could trust myself enough to stretch out like this,” says Montbleau, who experimented with synthesizers and drum machines and added piano and mandolin to his repertoire for the project. “I’d always kind of deferred to other people’s expertise in the studio, but learning to trust my ears and get my hands dirty with the music was a totally empowering experience.”
As the songs took shape, it became clear to Montbleau that there were discrete themes at work within the larger collection, both sonically and emotionally. Rather than release the entire 15-track record all at once, then, he decided he would unveil the album more deliberately over the course of four separate EPs, each inspired by an element of the natural world. First up: Wood, a rustic, earthy trio of tracks taking stock of just what it means to be human in these bewildering times. Songs like the playful “Perfect” and soulful “Ankles” wrap weighty ruminations inside deceptively lighthearted packages, and the spare, stripped-down arrangements make for an ideal bridge between Montbleau’s earlier work and the more adventurous sounds to come on the album’s second installment, Fire. Infused with an infectious energy and feel-good pop optimism, Fire showcases the rock and roll side of Montbleau’s personality, celebrating the joy and liberation that comes with learning to live in the moment.
“The songs on Fire were a chance for me to just let loose and have fun,” says Montbleau. “They were an opportunity to not overthink things for a change, to trust my gut and follow what felt good.”
The arrival of Water quickly cools things down, though, bringing the music back to Earth with a more sober, meditative quality. Montbleau wrote several of the tracks while doing medicine work in Peru, and the healing, regenerative nature of that trip is obvious on songs like the dreamy “Forgiveness,” which features extensive keyboard contributions from avant-garde icon John Medeski. By the time we reach the album’s final chapter, Air, Montbleau seems to have found peace within himself, coming to terms with the transient, fleeting nature of our existence. “Just know that you are not alone,” he sings on “The Dust,” “and that’s all you get to know now.”
“Even though COVID kind of upended everything with my career, this past year has been a rare chance for me to stay put for a while and focus on what really matters,” says Montbleau, who recently invited his girlfriend and her daughter to move in with him in Burlington. “I feel like I finally have a real family life now, and I’m living on stable ground for the first time.”
That doesn’t mean the hunt for purpose and meaning is over. Ryan Montbleau will always be a seeker, and that’s alright. As Wood, Fire, Water, and Air so beautifully demonstrates, sometimes the search is its own reward.
Supported By: Will Evans
Will Evans has spent the last decade as the primary songwriter and frontman for the New England-based roots-rock outfit Barefoot Truth.
After four albums and 50+ million streams on Pandora & Spotify, he's embarked on his solo journey—carrying along some of the Jack Johnson-ish
vibes from his earlier band. He's since released three additional full-length albums and traveled the U.S. & Europe several times over.
In his shows, Evans displays technical mastery of live-looping that showcase his skills as a multi-instrumentalist, including the didgeridoo,
steel drums, percussive beatboxing, acoustic guitar, and layers of soulful vocals.
His album "Rise" was nominated for three categories by the New England Music Awards. The album features deeply personal topics of
humanity, compassion, and a reflection of the current political times. While promoting the album, he toured extensively with his friend
and fellow conscious-roots musician Trevor Hall, performing for sold-out crowds across North America and Europe. In 2020 Evans
released 'The Summer Swell,' a 3-song live EP, as well as a new summer-vibed single: "Lean In."
ENVIRONMENT, HOPE, AND INCLUSION
A lifelong surfer and environmentalist, Evans' songs speak to the importance of connecting with—and protecting—the earth.
At a time when so many are looking for words of inspiration and reassurance, his songs deliver messages of family, love, hope,
"KIND FOLK" FAN COMMUNITY
In the Spring of 2020, at the start of the global pandemic and with a palpable anxiousness felt worldwide, he launched "Kind Folk,"
a tight-knit fan community that's grown into the thousands and has become a network for good friends who've connected via his
music and the group's charity efforts.
Over the years, he's shared the stage with: Crosby & Nash, Grace Potter, Bruce Hornsby, Rusted Root, Michael Franti & Spearhead,
Trevor Hall, Nahko, Xavier Rudd, Donavon Frankenreiter, Ryan Montbleau, Railroad Earth, and members of Dispatch.
For tour dates, music, & more, visit www.willevans.com.
Supported By: Aaron Rizzo
Aaron Rizzo is a songwriter, multi-instrumentalist and producer from Rochester, NY. Growing up listening to the sounds of the 80s,
Aaron became obsessed with the creation of music and developed a keen ear for cutting edge production. By adolescence, this obsession
manifested itself in frequent performances with a rotation of bands and projects, leading to a dedicated career as an artist. To date,
Aaron has released two full-length solo albums titled Blck Tee Shrt (2017) and Mirror Talk Blue (2021), and has recorded/ collaborated
with artists such as Nate Smith, Koncept P, Joanna Teters, and more. His original music has been featured on the hit television shows
Shameless and Black-Ish, and in 2020 Aaron won the award for best score at the Sick N’ Wrong film festival for his original score in the
film Optic Nerve.
Relocating to Syracuse, NY in the fall of 2020, Aaron now plays a key role in the production of many artists such as CANDY, Julia Goodwin,
Doctors Who Smoke, Skyrenzo, Omgimjoe, as well as his own solo career. Aaron has opened for Samantha Fish, Pigeons Playing Ping Pong, Karl
Denson’s Tiny Universe, and has been invited to perform at events such as Music China in Shanghai, The NAMM convention in Anaheim, Cayuga
Sound Festival, and has toured the east coast of the U.S. While promoting his sophomore album, Mirror Talk Blue, Aaron performs and produces
full-time at The Candy Shop, a recording studio founded in January of 2021 with close collaborators Lorenzo Maldonado and Justin Spaulding.
524 Westcott Street
Syracuse, NY, 13210